the OtherAI

A comprehensive exposition of Preservative AI

Colophon: how this site is built

A methodology about extraction should not itself be extractive — of attention, of data, or of energy. The site's construction is part of its argument.

Low-watt by design

No tracking, no extraction

There are no analytics, no cookies, no fingerprinting, no third-party requests of any kind. The tools run entirely in your browser; nothing you paste is transmitted, logged, or trained on. This is Refusal 3 and Refusal 4 applied to web architecture: no unconsented data, and no engagement optimisation — there is nothing here that measures your engagement at all.

Form as argument

The Artistic Perception lens asks what modes of attention a communication invites or forecloses. Applied to this site: a single readable column, no animation, no infinite anything, and chapter-length pages invite the slow, sequential, dwelling attention the material asks for. The wiki structure — every concept addressable, densely cross-linked, with a glossary as an alternate entrance — invites the second mode the material rewards: non-linear return visits. What the design forecloses, deliberately, is grazing.

Accessibility

Semantic HTML throughout (real headings, real lists, real tables with headers, nav/main/landmark structure), visible focus, aria-current navigation state, live-region outputs on the interactive tools, honoured prefers-color-scheme, and no content that requires JavaScript, a pointer, or colour perception. The print stylesheet strips chrome so any page prints as a clean document. Accessibility gaps are reportable findings like any other omission.

Versioned in public

Content is git-backed; every change to every page — including the stance file and the limitations ledger — is a public, attributable commit. A methodology that requires public version history of audits keeps its own history the same way.

Licence

All content: CC BY-SA 4.0. Fork freely, share alike, attribute the lineage — the Invitation is the licence's purpose stated in prose.

See also